By Pete Novick
Here is a tansu chest I plan
to show as part of the Guild of Vermont Furniture Makers exhibit at the Helen
Day Art Center in Stowe, VT beginning in January 2013. It is made from cherry
and is 53(H) x 37(W) x 19(D).
In furniture design, I try to
follow three ideas: form follows function, the golden section and visual line.
Form follows function is usually
associated with early 20th century architecture, though practically
speaking it’s a useful rule for furniture construction, too.
The golden section ratio is
well known, and for me it represents the most natural and most human ratio in
the universe. How could I improve on it?
If you rotate the golden
section shown above 90 degrees clockwise, you will see the basic overall proportion
and sectional division of this tansu.
Finally, I strive for a
visual line so that the piece of furniture has composition and the eye moves
naturally around the piece without settling anywhere in particular. For panels,
I use very wide boards and no more than 2 boards in width per panel. Also, I use wood
from the same boards in the panels in both the upper and lower sections. Since
the tree grew that way I figure I should use it.
Last, I try to make the
back of my case pieces visually interesting.
It usually takes me a little
more than two weeks to design, build and finish a large tansu. In this tansu, there
are 116 mortise and tenon joints to cut and fit. Then I hand plane
all the surfaces and chamfer all the edges before assembly so the piece looks and feels handmade.
Beautiful!! Hard to believe it only takes you two weeks.
ReplyDeleteyeah pete ... you must be pretty fast with the mortising and tenoning. looks like you are all set for the show. i better get started soon. dan
ReplyDelete