This past spring the Guild of Vermont Furniture Makers was awarded a grant from the Vermont Working Landscape Project, a partnership organization sponsored by the Council
on Rural Development. Aimed at preserving the scenic, recreational
landscape of Vermont and inspiring growth and support in forest and farm
entrepreneurship, the project is a work in progress that will impact all
Vermonters. And fine furniture makers--How do we fit in to the working
landscape? We’ve devoted this week's blog post to a selection of handmade and
custom pieces that describe our members’ relationship with the forest economy.
Dave Hurwitz’ Nautilus end table (above) of Forest Stewardship
Council (FSC) certified Vermont Sugar Maple features
a custom slate top by Poultney artist Kerry Furlani. Hurwitz has sourced
local wood for his contemporary, custom furniture for many years… His figured
maples come from Addison, his red elm from Northern Vermont and his cherry,
sometimes from a local farm. Guild member Richard Bissell has a solar powered
workshop in Putney, a hip, sustainable village on Sacketts Brook in Windham
County. Bissell uses as much locally-sourced wood as possible; it’s one of the
distinctions of his woodworking practice. “I think Vermonters take good care of
their forest, and harvest trees responsibly,” he says, “and I want to support
that.” A local Putney sawmill keeps an eye out for really good cherry logs and
gives him a holler when they appear on the horizon.
Local Cherry at the Putney Yard & Milled Lumber on it's way to Bissell Fine Furniture |
Is this an insider trend—the lumberyard “pipeline”? The yardsmen get to know their area craftsmen
and eventually, what particular wood or characteristics might be intriguing to
them. Doug Clarner tells us that near his studio, Clarner
Woodworks in East Burke, his ‘spotters’ watch for great tiger maple or flame
birch, and give him the high sign. Other makers, Bissell included, harvest from
their own properties. Richard has cut and milled beautiful cherry, aspen, maple
and pine from his Putney land and the dresser below was made exclusively from these
homestead trees. Sugar Maple panels set in a Cherry case, with Red Maple drawer
sides and backs, Aspen drawer bottoms.
And design with local wood can go as rustic or as formal as
you like. Paul Wilson’s black walnut live edge bench is crafted from
wood he’s harvested, dried and milled at his place in Windsor. We can see it in
your slate entryway…
Sometimes a client loses a special tree on their property. You’ve
heard it before--summer’s big thunderstorm takes down the old apple tree where
the kids have ‘swung’ for generations. Did you know that arrangements can sometimes
be made to mill your wood and re-imagine the family tree it into a piece of
heirloom furniture? Dorset maker Bill Laberge was asked by a client to turn her
own harvested maple into a nine foot trestle table. In addition to the
homestead sourcing, Laberge let the character of the wood embellish the table top,
complete with tap hole from the tree’s former sugaring days.
Why wouldn’t you always go ‘local?’ Sometimes a particular
style or design precludes it; maybe the perfect wood type to finish a piece is
not readily available in-state. Guild Furniture Makers love the diversity of
the species and often, pieces are a mix and match. It’s a beautiful thing to
support Vermont’s working landscape by selecting a custom furniture piece made with local wood. Combo pieces can be quite
interesting, too, like this Hurwitz hall table featuring a Vermont Curly Maple top
with Poplar apron and legs, sourced from the Southeast. Go all
Vermont, or some Vermont. Either way you support the working landscape and our
tradition of fine, handmade furniture.
For Inspiration and Member Work: www.vermontfurnituremakers.com
To Learn More About Vermont’s Working Landscape Initiative: www.workinglands.vermont.gov
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